I didn’t see National Lampoon’s Christmas Vacation until only a few years ago, perhaps 2013 or 2014. For how popular it is, one might have guessed I’d avoided it intentionally, but I mostly just didn’t realize it existed. When I finally decided to pick it up on someone’s recommendation, I recognized the poster art on the Blu-Ray box: indeed, I had avoided this film…but as a child.
Continue reading “Brian’s Exploratory Christmas Endeavor ’18: National Lampoon’s Christmas Vacation”
I’ll admit it. I could have paid closer attention to White Christmas. My attention was so divided, in fact, that I don’t remember what I was doing besides watching it. I may have been playing Super Smash Bros Ultimate, and in my defense, you would too.
Continue reading “Brian’s Exploratory Christmas Endeavor ’18: White Christmas”I always loved the old show art, especially its old-Western style, and I dearly appreciate its artist for creating it and Adam for commissioning it, but it is outdated and time to move forward. The original work will hang in the Dayton Upstairs Recording Studio, and accompany all re-released Classic episodes of GBU. All new episodes, however, will feature this gorgeous, modern-minimalist art my my friend Eric.
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The Christmas Chronicles, one of Netflix’s barrage of original Christmas flicks for 2018, is not good. Directed by Clay Kaytis of The Angry Birds Movie, it is a mostly joyless, sometimes crass, often formulaic, persistently ugly movie with nearly no redeeming qualities. Its creators seemed to have had a hard time deciding between whether it was a kids’ film or something edgier–and it has none of the charm or personality to pull off either.
Continue reading “Brian’s Exploratory Christmas Endeavor ’18: The Christmas Chronicles”
I reviewed A Christmas Prince when it first came out, and while I thought it was just the worst, I could have imagined things still worse and let it pass mostly on its good looks. A Christmas Prince, if you don’t remember, is the schmaltzy ABC Family-style nothing-movie that 53 people watched every day for a while.
The film was vapid, trite, predictably-scripted, poorly-acted, and unsurprisingly, precisely what the average Netflix viewer was looking for. Given that this must have been made on a shoestring budget, it’s hard to deny Netflix their well-deserved win. They gambled on a sure-thing and it paid off.
Continue reading “Brian’s Exploratory Christmas Endeavor ’18: A Christmas Prince: Royal Wedding”
I loved Wreck-It Ralph. It was original, funny, and most importantly very sweet and genuine. It held up on repeat viewings back then, and I watched it again after watching Ralph Breaks The Internet to check that my memories weren’t wrong. They weren’t.
But the fact I had to check at all isn’t a great indicator of Ralph Breaks The Internet‘s quality. And before we go any further, I have to get out ahead of myself and say this is not going to be a negative review.
Continue reading “Ralph Breaks The Internet”Not to spoil the fun, but I’ve gotten a new RSS for the podcast, which you’ll find searchable on Apple Podcasts, Google Play Podcasts, and I’m fairly sure any podcatcher that indexes with Libsyn. Because I’m not made of money, it’s going to take some time to add a few of the classic episodes month by month until the feed is all caught up.
Subscribe now, rate if you want to help, and stay tuned for more.
I saw the above poster for Venom at my local theater months ago, and I thought, “oh, God, no.” I nudged my room mate and said, “look, there’s nothing on the poster because this thing is in production Hell, they have nothing to show.” He grunted.
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I’ve wanted to see this film for at least twenty years. It’s horrible.
As I recounted in my review of the Ranma ½ Christmas special, Tendo Family Christmas Scramble, when I was little, our Blockbuster’s limited selection of anime was nearly all the anime I had access to, and among those, I could only take home the ones that didn’t warn my parents about explicit content. Ranma pushed the limits with occasional exposed breasts in the TV show and OVA, but I watched when my parents weren’t around.
Continue reading “Ranma ½, The Movie: Big Trouble in Nekonron, China”
The Hate U Give drew tears out of me three times. It also startled me into flailing my hands in the air and jumping around in my seat twice. I don’t think I’ve ever hyperventilated, but the closest I may have come as an adult was during a scene in The Hate U Give when tears were spilling down my face because I was positive the movie was about to portray something horrifying.
And the reason I was breathing heavily through my mouth, tears gushing forth, feeling hot behind my ears (a sensation I can’t say I’ve ever felt before), was that the movie effectively convinces you that what may happen next is practically guaranteed to. It does this effectively because it is an honest reflection of reality. In reality, the thing I was afraid of seeing on-screen happens. It famously happened here in Ohio a few years ago. It will happen again. Maybe it happened somewhere in America today. I haven’t looked in the news.
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Candid Podcast Network 