This week we look at Masaaki Yuasa’s Ride Your Wave, and touch on his Night is Short, Walk On Girl, and Sonic the Hedgehog, starring James Marsden and Jim Carrey.
That is all.
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Hello, there. The charge on my credit card for the continued ownership of this domain tells me that we’re still in business here at the Dayton Upstairs Recording Studio, although things have been quiet lately.
Over my Winter Break I spent the first half doing family stuff and the second half working on my house, including reworking my bedroom. Since then I’ve started another term of college, and it’s one which is very reading-intensive, so it has been difficult to find time to record. Besides that, the groups with which I’ve seen movies these past months have been all over the place, and I have wanted to do group shows rather than just sitting down with one other person. I don’t know why, Adam and I used to record two-man shows all the time. I guess it’s because most of these movies are seen, sooner or later, or expected to be seen, by more than just one of my potential co-hosts, and so I’m always holding out for someone else to see it and make the potential recording pool bigger.
At any rate, I will try to have something recorded soon, and in the meantime, after the break are are some scattered thoughts about the following movies:
In this, which I consider to be an absolutely delightful bonus episode, I agreed to share this awful picture from my high school art class portfolio, where we were asked to draw self-portraits and to have them introduce us. So. Here it fucking is.
And here’s the photo I was alluding to, which was taken around the same year or perhaps the year after, when I was on an Art Club field trip out of state. I hope you’re happy, you bastards.
Finally! A proper unmitigated disaster of a recording! Finally! Something to struggle against! Something to win! This was the episode…that almost wasn’t!
I went to see Taika Waititi’sJojo Rabbit with Jon and Brooke, and a couple of Brooke’s friends, and we were all excited to record, but couldn’t get it done that evening. We converged in the Dayton Upstairs Recording Studio a few days later and set up to record with a template that I’d made so I wouldn’t have to set the project up fresh every time. And I firmly believe that’s where things went to shit.